Ken Price
NYEHAUS/MATTHEW MARKS GALLERY/ BROOKE ALEXANDER GALLERY
Ken Price's output has consistently opposed contemporary art traffic - whether, in the early 1960s, simply by having been made in Los Angeles or, lately, in its unabashed courting of pleasure ("joy," he says, is the feeling he's after), to say nothing of the perennial marginalization of ceramics and its cognates, craft and the decorative. Price figures as often in histories of pottery as in those of art, as demonstrated by the catalogues on view in a recent show of ephemera and design projects at Franklin Parrasch Gallery. It was Price's moment in New York this spring; that exhibition, together with those at …
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